Hellboy |
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1. Setup rain dynamics. |
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2. Lighting. |
Hulk |
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3. Lighting which was also used as setup for other shots in the same cut. |
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4. Aircraft exhaust effects and lighting. |
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5. Setup cloud effects using textured and deformed surface. Used particle expressions to
produce a volume that was most dense in foreground and tapered off in
background. |
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6. Bullets and dust achieved with particle dynamics. Aircraft
exhaust and lighting. |
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7. Lighting. |
Star Wars II: Attack of the Clones |
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8. Lighting. |
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9. Lighting. |
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10. Lighting. |
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11. Lighting. |
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12. Lighting. |
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13. Lighting. |
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14. Lighting. |
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15. Lighting. Flies animation. |
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16. Lighting. |
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17. Lighting. |
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18. Lighting. |
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19. Lighting and crowd effects. |
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20. Lighting. |
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21. Lighting and crowd effects. Custom crowd choreography. |
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22. Lightning effects. |
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23. Lightning effects. |
The Mummy Returns |
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24. Lighting including lightning flashes achieved by mixing key-frame
and random function on light intensity. The flashes were not synchronized with background. |
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25. Lighting including flame flicker and lightning flashes. This shot
was used for publicity and shown in Electronic Theater. |
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26. Lighting including flame flicker which was quickly achieved
with a noise function. |
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27. Lighting, dirigible animation, fire exhaust. |
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28. Lighting. |
The Prince of Egypt |
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29. Water surface and mist effects. |
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30. Water surface and mist effects. |
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31. Water surface and mist effects. |
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32. Water surface, mist, and lightning flashes. Latter achieved
by mixing key-frame and random function on light intensity. |
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33. Water surface and lightning flashes. |
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34. Non-collapsing water surface effects. Mixed art director
color palette with specular component of key light. |
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35. Water surface effects. |
Broadcast and Titles: CBS Good Morning, Under Suspicion, Dual Star |
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36. 3D Components: Map, sun and sun ray effect. Compositing of all elements.
Art direction by Dale Herigstad |
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37. Compositing. Art direction by Saul Bass |
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38. Modelling, compositing and effects. Art direction by Saul Bass |